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Nicholas Hilliard a youth among roses oil painting


a youth among roses
Painting ID::  56031
Nicholas Hilliard
a youth among roses
mk247 c.1588,watercolor on vellum,5.375x1.25 in,13.5x5 cm,victoria and albert museum,london,uk

   
   
     

Nicholas Hilliard Unknown man oil painting


Unknown man
Painting ID::  59378
Nicholas Hilliard
Unknown man
Unknown man of 24, 1572, 2 3/8 x 1 7/8 inches, V&A.

   
   
     

Nicholas Hilliard Miniature of Elizabeth I oil painting


Miniature of Elizabeth I
Painting ID::  59379
Nicholas Hilliard
Miniature of Elizabeth I
Miniature of Elizabeth I, 1572

   
   
     

Nicholas Hilliard Miniature of d Alencon oil painting


Miniature of d Alencon
Painting ID::  59380
Nicholas Hilliard
Miniature of d Alencon
Miniature of d Alencon, 1577

   
   
     

Nicholas Hilliard Large miniature of George Clifford oil painting


Large miniature of George Clifford
Painting ID::  59381
Nicholas Hilliard
Large miniature of George Clifford
Large miniature of George Clifford, 3rd Earl of Cumberland by Hilliard, c. 1590, after his appointment as the Queen's Champion, in tilting attire (which survives) with the Queen's glove as her favour pinned to his hat. 25.2 x 17.5 cm.

   
   
     

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     Nicholas Hilliard
     1547-1619 British Nicholas Hilliard Galleries Nicholas Hilliard (c. 1547?CJanuary 7, 1619) was an English goldsmith and limner best known for his portrait miniatures of members of the courts of Elizabeth I and James I of England. He mostly painted small oval miniatures, but also some larger cabinet miniatures, up to about ten inches tall, and at least the two famous half-length panel portraits of Elizabeth. He enjoyed continuing success as an artist, and continuing financial troubles, for forty-five years, and his paintings still exemplify the visual image of Elizabethan England, very different from that of most of Europe in the late sixteenth century. Technically he was very conservative by European standards, but his paintings are superbly executed and have a freshness and charm that has ensured his continuing reputation as "the central artistic figure of the Elizabethan age, the only English painter whose work reflects, in its delicate microcosm, the world of Shakespeare's earlier plays.

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